Sunday, February 17, 2008

ALBUM REVIEW : Various Artists - 'Waifs and Wenches'

Judging by appearance alone, this compilation looked like a fairly drab, uninteresting effort, but once it was on the stereo it revealed a quaint depth and beauty, and an authenticity quite unlike anything else I've heard.



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Waifs and Wenches (Scallywag Music)

This is a fascinating two-disc recording of nine, relatively unknown female singers, performing largely traditional songs, with a few originals included for good measure. If there is any instrumental accompaniment, it is minimal, with the spotlight being most certainly on the strikingly unadorned vocals. There are a good number of oft-covered traditional songs here, and they're not subjected to particularly innovative arrangements, but they are presented in a resplendently stark and naked beauty.

Wendy Morrow contributes a delicate interpretation of "Black Is The Colour," with subtle harp accompaniment as well as a haunting reading of "John Anderson." Marianne McAleer is an All Britain Champion in Irish traditional singing, and proves why with her lilting performances of "Edward On Lough Erne's Shore" and "Thousands Are Sailing."

"She Moved Through The Fair" is performed evocatively by Nicky Hann, who also sings her own delightful song, "Purbeck Hills," sounding similar to a youthful Joan Baez, whilst Anna Barker's light vibrato gives a shivering desolation to "Open The Door Softly". Sounding particularly distinctive, Patsy (that's all she's credited as!) sings in beautifully intimate, hushed tones and contributes a couple of her own bewitching compositions alongside the traditional "Teddy O'Neill".

Others to contribute are Kate Fletcher, Kaz Hand, Helen Woodall and Ruth Sindrey, whose noteworthy contributions include "Willow Tree," "I Wish I Wish," "Mary Hamilton" and "Bonny Blue Eyed Lassie," respectively -- amongst others!

The recording can sound relatively primitive, but this only lends further charm and purity. The overall result is a respectable alternative to the many over-produced offerings that flood our airwaves and record stores. This is an exquisite collection; a worthy project of utmost grace and integrity.

Monday, February 11, 2008

EP REVIEW : Don Mescall - 'Fuel For The Fire'



The first song I ever heard of Don's was Eleanor Shanley's beautiful cover of "The Road To Glory," and since then a number of exquisite covers by Frances Black. He's even made it on to Top Of The Pops, courtesy of Ronan Keating's duet with Barnsley-babe, Kate Rusby, on "All Over Again."

Click here to read my review of 'Fuel For The Fire' on Folking.com!

Click here to visit Don Mescall's website!

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Saturday, February 9, 2008

ALBUM REVIEW : Ross Kennedy - 'Scottish Voice and Acoustic Guitar'

My review of Ross Kennedy's album, "Scottish Voice and Acoustic Guitar," is featured in issue 77 of The Living Tradition magazine.



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Ross Kennedy, Scottish Voice and Acoustic Guitar (Greentrax CDTRAX317)

Despite an association with folk music stretching back over twenty-five years, this is Ross Kennedy's first solo effort. Kennedy is accompanied here by some fine supporting musicians; Lorne MacDougall on whistles and highland pipes, Alison Smith on fiddle, and Steve Lawrence playing bouzouki and percussion.

It is Kennedy's sterling guitar playing that provides the stand-out moments, bursting with detail on some complex ornamentation, beautifully enhancing the melodies; witness for example the opening flourish of "Whaur Will We Gang" or the instrumental "Acoustic Reels" in its entirety. Kennedy also exhibits his song-writing skills on a couple of tracks, with the beautiful "Farewell To Glasgow" being particularly worthy of mention.

Kennedy sings in a beguiling Scottish brogue, with a voice that offers both strength and warmth, though the end result often depends on the setting; for example, "The Earl o' Moray," is performed a cappella and suffers somewhat for the lack of instrumental support. Kennedy's voice, whilst boasting its own ample charms, lacks the bite and passion that might be delivered by the likes of Dick Gaughan on a similar arrangement. Contrast this with the track that follows, "The Birken Tree," that gathers pace with Kennedy's driving, rhythmic guitar and powerful vocals, before reaching an exhilarating climax with a reel played on the highland pipes; this works really well.

This is a creditable debut from Kennedy, indeed you will struggle to find better traditional guitar playing elsewhere; ably accompanied by some equally talented musicians that contribute much to the overall mood, it makes for a most pleasurable listen.

Thursday, February 7, 2008

ALBUM REVIEW : Tom Paxton - 'Comedians & Angels'

A fine album by a songwriter of legendary status!

Click here to read my review of 'Comedians & Angels' on Folking.com!

Click here to visit Tom Paxton's website!

Click here to visit Folking.com on MySpace!